A traffic jam at the intersection of interactivity, aesthetics, epistemology, and semiotics
Sunday, February 27, 2011
Men In Black
About a month ago I caught the second half of Men in Black on television; a superbly made movie in hindsight. There were a lot of things I liked about it, but I think the most important thing was that unlike a lot of science-fiction themed movies, which support their plot with a well articulated con-world, Men in Black simply relies on a series of quirks: tabloid style vignettes portraying the protagonists' and our own lack of understanding of everything happening.
Labels:
aesthetics,
epistemology,
movies,
narrative
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